Framing
The Edge of the Frame Is Doing Quiet Work
Learn how objects at the edge of the frame direct attention, shape a scene’s sense of space, and make a composition…
The viewing room
All stories
Browse close readings, clear explanations and screen histories. Each piece begins with a specific question about how moving images work or how viewers encounter them.
Editing
Cut on a Gesture or Cut on a Look?
Cut on a gesture or cut on a look? Learn how action matches and eyeline cuts direct attention, clarify screen space…
Screen History
Before Dialogue Took Centre Stage
Before dialogue took centre stage, filmmakers made gesture, staging and intertitles carry the story. Learn how to read…
Story
The Colour Symbol Myth: Red Does Not Mean One Thing
Red colour symbolism in film becomes easier to read when you compare its surroundings, repetitions, and story action…
Sound
How to Rewatch a Scene for the Sounds Between the Lines
Rewatch a familiar scene for room tone, pauses, and offscreen sound, then connect each audible detail to how the scene…
Our point of view
A screen rewards a second look.
A moving image is made of choices, not just pictures. Slow down with us to notice what a frame, a sound or a pause lets into view.